Barton Lidice Benes, biography
Born Westwood, New Jersey, 1942. † New York, 2012.
EDUCATION
1960-61
Pratt institute, Brooklyn, New York
SELECTION OF SOLO EXHIBITIONS
2013
In Memory of Barton Lidice Benes, Galleri Andersson Sandström, Umeå
2010
Cohones, Galleri Andersson Sandström, Stockholm
2006 – 2007
New York, NY, Lennon, Weinberg, Inc., Repositoria
2004
Grand Forks, North Dakota, North Dakota Museum of Art, New Works by Barton Lidice Benes
2003
Switzerland, Basel, Galerie Gisele Linder, Barton Benes: Curiosa
2002
New York, NY, Lennon, Weinberg, Inc., Barton Lidice Benes: Curiosa.
Umeå, Sweden, Galleri Stefan Andersson, Barton Lidice Benes: Souvenirs.
2000-01
Borås, Sweden, Borås Konstmuseum. Reliquaries. Flyttades till Uppsala Konstmuseum, Uppsala, Sverige
Museokeskus Vapriikki, Tampere, Finland (catalogue).
1999-2000
Porto, Portugal, Galeria 111. Reliquarium. Galeria 111, Lissabon, Portugal.
1999
New York, Lennon, Weinberg, Inc. Barton Benes: Reliquaries.
1998
Toronto, Canada, A Space. Spirited Away.
Umeå, Sverige, Galleri Stefan Andersson.
1997
Albuquerque, New Mexico, Coke Gallery, University of New Mexico Art Museum. Lethal Weapons.
1996
Prag, Tjeckien, Novomestska Radnice (New town hall)
1995
Lissabon, Portugal, Galeria III.
1994
Umeå, Sverige, Galleri Stefan Andersson, Lethal Weapons.
Lund, Sverige, Anders Tornberg gallery, Lethal Weapons.
Grand Forks, North Dakota, North Dakota Museum of Art. Money Madness.
1993
New York, White Columns. Lethal Weapons.
Grand Forks, North Dakota, North Dakota Museum of Art. Lethal Weapons.
1991
Chicago, Illinois, Hokin/Kaufinan Gallery.
1990
Stockholm, Sverige, Björn Olsson Gallery.
1989
Grand Forks, North Dakota, North Dakota Museum of Art.
1988
New York, Barbara Fendrick Gallery. Moneyworks.
1987
Washington, D.C., Fendrick Gallery
1986
Rohnert Park, Karlifonien, Sonoma State University. Moneyworks.
Moscow, Idaho, University of Idaho.
Los Angeles, Karlifonien, Feingarten Galleries. Misc.
New Orleans, Louisiana, Center of Contemporary Art.
Stockholm, Sweden, Galleri Zero.
1985
Albuquerque, New Mexico, Hoshour Gallery. Shrines.
Cleveland, Ohio, Federal Reserve Board. Master of Disguise.
Manhattan, Kansas, Strecker Gallery.
New York, Kathryn Markel Gallery. Graven Image.
Dallas, Texas, Federal Reserve Board. Master of Disguise.
New York, Craig Cornelius Galleri. Semi-Precious.
Chicago, Illinois, Hokin/Kaufman Gallery.
Lund, Sweden, Anders Tornberg Gallery. Requiem.
1984
St. Louis, Missouri, Brentwood Gallery.
Washington, D.C., Federal Reserve Board. Master of Disguise.
Richmond, Virginia, Reynolds/Minor Gallery. Moneyworks.
Coral Gables, Florida, Netsky Gallery. Moneyworks.
1983
Albuquerque, New Mexico, Hoshour Gallery. Souvenirs.
Washington, D.C., Fendrick Gallery. Money Matters.
New York, Kathryn Markel Gallery.
1982
Lund, Sverige, Anders Tornberg Gallery. Moneyworks.
New York, Kathryn Markel Gallery.
Sheboygan, Wisconsin, John Michael Kohler Arts Center. Ruins and Artifacts.
Stockholm, Sverige, Futura Gallery.
New York, P.M. & Stein Gallery. Shellworks.
Iowa City, Iowa, University of Iowa Museum of Art. Letters from Aunt Evelyn and Other Artifacts.
1981
Dallas, Texas, Taylor Art.
1980
New York, Kathryn Markel Gallery.
Lund, Sverige, Galleriet. Stampworks.
1979
Washington, D.C., Fendrick Gallery. Ruins and Artifacts.
1978
Amsterdam, Holland, Stempelplaats. Rubberstamps Works.
1977
New York, Franklin Furnace. Bookworks.
Washington, D.C., Fendrick Gallery. Shell Shocked.
New Orleans, Louisiana, Bienville Gallery. Selectef Parts of Letters from My Aunt Evelyn.
1976
Princeton, New Jersey, Princeton Gallery of Fine Art.
1975
New York, Center for Book Arts. Letters from Aunt Evelyn.
Los Angeles, Karlifonien, Feingarten Galleries, Sculptured Books.
Los Angeles, Karlifonien, David Stuart Gallery. Sculptured Books.
1974
New York, Allan Stone Gallery. Sculptured Books.
1972
New Orleans, Louisiana, Bienville Gallery. Leather and Lace.
1967
Edinburgh, Skottland, Traverse Gallery. Edinburgh International Festival.
SELECTION OF GROUP EXHIBITIONS
2008
New York, NY, Lennon, Weinberg, Inc., Flow Chart, July 8- August 15
2007
Katonah, NY, Katonah: Museum of Art, Tools as Art: The Hechinger Collection,
Yonkers, NY, Hudson River Museum, I WANT Candy: The Sweet Stuff in American Art
Flagstaff, AZ, Northern Arizona University Art Museum, Contemporary Reliquaries: Housing the momentos of Our Day, July 6 – October 20 (catalogue).
Charleston, WV, Clay Center for the Arts & Sciences of West Virginia, In the Realm of the Senses: Selections from the Collections of James Cottrell and Joseph Lovett
Ottawa, Canada, Bank of Canada, Sacred Money / Damned Money
East Islip, NY, Islip Art Museum, Making the Most of It
Ahlen, Germany, Kunstmuseum Ahlen, Diagnosis [Art]: Contemporary Art Reflecting Medicine. Travelling to Museum im Kulturspeicher Wurzburg,
2006
Tallahassee, FL, Mary Brogan Museum of Art & Science, Currency: Art as Money / Money as Art (catalogue).
Portland, OR, Hoffman Gallery of Contemporary Art, Lewis & Clark College, Artists and Specimens: Documenting Contemporary Experience
New York, NY, Schroeder Romero, Money Changes Everything
Rochester, NY, Memorial Art Gallery, Extreme Materials
Washington DC, National Academy of Sciences, Museum Muses: Barton Lidice Benes and Justine Cooper
2005
New York, Lennon, Weinberg, Inc. Group Exhibition: Gallery Artists
2005 – 2006
Quebec, canada, Musée de la civilisation, Argent Sacré, Sacré Argent!
2005
New York, Pavel Zoubok, COLLAGE: signs & surfaces.
2004 – 2005
Denver, CO, Museum of Contemporary Art, PILLish: Harsh Realities and Gourgeous Destinations.
Orlando, FL, Orlando Museum of Art, Co-Conspirators: Artist and Collector,
Selections from The Collection of James Cottrell and Joseph Lovett, Samuel Dorsky Museum of Art, New Platz, NY, Chelsea Art Museum, New York
New York, NY, Lennon, Weinberg, Inc. Group Show.
2003 – 2004
NY, NY, Museum of Art and Design, Triennial 9: Form and Contents: Corporal Identity – Body Language.
2003
Katonah, New York, The Katonah Museum of Art, Food Matters: Explorations in Contemporary Art. Exhibition catalougue (färg reproduction).
Napa, Karlifonien, COPIA The American Center for Wine Food & the Arts, Sweet Tooth.
2002 – 2003
Naples, Florida, Naples Museum of Art, Show Me the Money, the Dollar as Art. Palm Museum, Fresno Metropolitan Museum, Boston Federal Reserve.
2002
Los Angeles, Karlifonien, Post, Fake!
New York, New York, Pamela Auchincloss Project Space, Lysis: Profound Loss, Identity and Healing.
Brooklyn, New York, Jessica Murray Projects, Grotto.
Fresno, Karlifonien, The Conley Art Gallery, Carlifonia State University, Fresno, From Stone and Plate: Contemporary Prints from the Tamarind Institute.
New York, NY, Lennon, Weinberg, Inc. New Year New York New York.
2001
New York, NY, Pavel Zoubok, Inc., Rupture & Revision: Collage in America.
San Francisco, CA, Carlifonia College of Arts and Crafts, Extra Art: A Survey of Artists’ Ephemera, 1960-1999
New York, NY, Senior & Shopmaker Gallery, A Private Reading: The Book as Image and Object. Continuing on as Selections From A Private Reading: The Book as Image and Object.
Ridgefield, CT, Aldrich Museum of Contemporary Art, Art at the Edge of the Law.
2000
New York, NY, Allan Stone Gallery. Fortieth Anniversary.
Washington, DC, Fine Arts Gallery, Federal Reserve Board Building, Money Making: The Fine Art of Currency at the Millennium.
Moscow, Russia, State Tretyakov Gallery, The View from Here.
1999 – 2000
Hartford, Connecticut, Real Art Ways, Bodies of Resistance, vidare till National Society
for Arts Gallery, Durban, South Africa.
1999
Greenwich, Connecticut, Bruce Museum of Arts and Science, The Art of Time.
1998
The Estate Project, Artists Living with HIV/AIDS hemsida presenterad på The Museum of Modern Art, World AIDS Day, The Virtual Collection.
1997
New York, The Nathan Cummings Foundation. Not Sacred.
Holland, Michigan, De Pree Gallery, Hope College. Searching for the Spiritual.
1996
Manchester, England, Cornerhouse Gallery, Nottingham, England, Nottingham Castle Museum; Walsall England, Walsall Museum. Brenda and Other Stories.
Umeå, Sverige. Umedalen Skulptur ’96.
New York, Curt Marcus Gallery. The Baseball Show.
New York, Beacon Hill Fine Art. Federal Reserve Collection.
New York, Beacon Hill Fine Art. Polities American Style: Issues and Images.
1995
Paris, France. FICA 1995.
Lissabon, Portugal, Cultural Art Fair.
Sao Paulo, Brazil, Galeria Millan. USA Within Limits.
Albuquerque, New Mexico, Albuquerque Museum of Art. Common Ground 1995.
Helsingfors, Finland, Galerie Anhava. Anders Tornberg Collection.
1994
Hagen, Tyskland, Ernst Osthaus Museum of Hagen. AIDS Theme.
New York, Plasma Space. Cultus.
Seattle, Washington, Greg Kucera Gallery. This is My Body.
Göteborg, Sverige, Göteborgs Konstmuseum. Love and Death.
New York, Lennon, Weinberg, Inc. Truth be Told: It’s All About Love.
New York, Stuart Levy Fine Art. Eros and Identity.
Honolulu, The University of Hawaii, Manoa Art Gallery. The Fifth International Shoebox Sculpture Exhibition.
Salina, Kansas, Salina Art Center. The Realm of the Coin Money in American Art, 1960-1990.
1993
Oslo, Norge, Heine-Onstad Kunstcenter. AIDS Theme.
Prag, Tjeckien, Galerie Vaclava Spaly. Exil V N.Y.
New York, Exit Art. The Design Show.
Bergen, Norge, Art Association of Bergen. AIDS Theme.
New York, White Columns. White Columns Update.
Washington, D.C., Nancy Drysdale Gallery. Sex-Money-Politics.
Palm Beach, Florida, Palm Beach Museum. Art-Money-Myth.
New York, Bernice Steinbaum Gallery. Group Exhibition.
The Realm of the Coin: Money in American Art, 1960-1990. Turnerande utställning: Fullerton Museum Center, Fullerton, Karlifonien; Hyde Collection, Glen Falls, New York; Harold Washington Library Center, Chicago, Illinois; Queens Museum, Flushing, New York.Miami Beach, Florida, Barbara Gillman Gallery. Group Exhibition.
1992
Paris, Frankrike, Bibliotheque Nationale. De Bonnard A Baselitz: Chefs-d’oevre de l’estampe du XXe Siecle.
Malmö, Sverige, Malmö Konsthall. The Schyls Collection.
Wichita, Kansas, Edwin A. Ulrich Museum of Art. Volumation: The Book as an Art Object.
Hartford, Connecticut, Wadsworth Athenaeum. Open Mind: The Sol Lewitt Collection.
Harrisburg, Pennsylvania, Susquehanna Art Museum. Fantasy and Dreams.
Hong Kong, Hong Kong Arts Center. Americana/1992.
Lund, Sverige, Anders Tornberg Gallery. All Words Suck.
Brookville, New York, Hillwood Art Museum, Long Island University. Egyptomania.
Paris, Frankrike, Galerie Caroline Corre. Le Livre Dans Tous Les Etats.
Austin, Texas, Laguna Gloria Art Museum. The Realm of the Coin: Money in American Art, 1960-1990.
1991
North Miami, Florida, Center For Contemporary Art. Collage/Unglued
New York, Art Advisory Service, Museum of Modern Art. In Flight
Lund, Sverige, Anders Tornberg Gallery, Spirit of the Shamin
Bryssel, Belgien, Sonia Berryer Gallery. Livres D’Artistes
Gainesville, Florida, Harn Museum of Art, university of Florida. Southeast Bank Collects: A Corporate, View of Contemporary Art
New York, ABC Headquarters. In Bloom
New York, The Gallery. Money Art? Reste vidare till Miami, Florida, Hokin Gallery och Scottsdale, Arizona, Elaine Horwitch Galleries.
New York, Hofstra University, Emily Lowe Gallery. The Realm of the Coin.
Rohnert Park, Karlifonien, University Art Gallery, Sonoma State University. Imagery Series
Collection: from Glen Ellen Winery.
1990
New York, Alternative Museum. Day of the Dead.
Madison, Wisconsin, University of Wisconsin. Fendrick at Foster.
Africa, Book Arts in the USA: Traveling show.
Lund, Sverige, Anders Tornberg Gallery. Round About, About Round.
Chicago, Illinois, Hokin/Kaufman Gallery. On Paper.
New York, Barbara Fendrick Gallery. The Book as Art/The Book in Art.
Washington, D.C., National Museum of American Art. New Acquisitions.
Washington, D.C., National Building Museum. Tools As Art: The Hechinger Collection.
Berkeley, Karlifonen, Simon James Gallery, Group exhibition.
Yonkers, New York, Hudson River Museum. Nature of the Beast.
New York, Solo Gallery, Prints.
Stockholm, Sverige, Björn Olsson Gallery, New York Works.
Bayside, New York, Queensborough Community College Art Gallery,
Book Arts-Sculpture Work.
Lund, Sverige, Anders Tornberg Gallery. Object of Thought.
1988
Albuquerque, New Mexico, Albuquerque Museum. Common Ground 88.
New York, Longwood Arts Gallery, Bronx Council on the Arts. Rooms with a View.
Grand Forks, North Dakota, North Dakota Museum of Art. Contemporary Book Art.
New York, L.I.N.T.A.S, Worldwide Headquarters. Razzle” Dazzle!.
1987
Sheboygan, Wiscounsin, Kohler Arts Center. Paper 88.
Chicago, Illinois, Hokin/Kaufman Gallery. Small Works.
Paris, Frankrike, Galerie Caroline Corre. Le Livre Dans Tour Les Etats:Traveling Exhibition.
New York, Stux Gallery, The Glitering Prize.
New York, Crown Point Press, Prints in Parts.
River Falls, Wisconsin, University of Wisconsin, Contemporary Book Arts.
Tulsa, Oklahoma, The Philbrook Museum, The Eloquent Object.
1986
Cleveland, Ohio, The Cleveland Museum, Paper Now: Bent Molded and Manipulated.
Köpenhamn, Danmark, Brandts Pakhas Gallery, Pay Attention: 14 Americans.
Rockford, Illinois, Rockford Art Museum, Obsessive Expressions.
Wilmington, Delaware, Delaware Art Museum, Corporations Collect.
Palm Beach, Florida, Hokin Art Galleries, Group Exhibition.
New Orleands, Louisiana, Contemporary Arts Center, The Fine Art of Making Money.
Lund, Sverige, Anders Tornberg Gallery, Face It.
1985
New York, New York University, Grey Gallery, Precious.
New York, Queensborough Community and Albright Colleges. The Parodic Power of Popular Art.
Huntington, New York, Heckscher Museum, Sights for Small Eyes.
Paris, Frankrike, Centre Pompidou, Livres D’Artistes.
New York, Avenue B Gallery, Assemblages – The Definitive Assemblage Show. Woodstock, New York, Kleinart Arts Center, Group Exhibition.
Paramus, New Jersey, The Bergen Museum of Art and Science, Collage, the State of the Art
Newark, New Jersey, Rutgers University, Robeson Center Gallery, Books as Sculpture.
1984
Sheboygan, Wisconsin, John Michael Kohler Arts Center, Remains to Be Seen.
New York, New York Public Library, Center for Book Arts: 10th Anniversary.
Norfolk, Virginia, Chrysler Museum, Precious.
Cleveland, Ohio, Cleveland Museum, Book Artists Have Made.
Munich, Tyskland, Renate Fassbender Gallery, Fluxist.
Paris, Frankrike, Galerie Caroline Corre, Group Exhibition.
Albuquerque, New Mexico, Hoshour Gallery, Noir & Blanc & Rouge.
Malmö, Sverige, Malmö Konsthall, Koks-Konster.
Los Angeles, Karlifonen, Newspace, Money in Art.
Lund, Sverige, Galleriet, Black and White.
1983
Madison Wisconsin, Elevehjem Museum of Art, University of Wisconsin, Breaking the Bindings: American Book Art Now.
Malmö, Sverige, Malmö Konsthall, Food Art.
New Britian, Conneticut, New Britain Museum of American Art, Fragment/Fragmentary/Fragmentation.
Paris, Frankrike, Center National Des Arts Plastiques, Noeuds & Ligatures.
1982
Paris, Frankrike, Grand Palais, Salon du Livres.
New York, Marisa Del Rey Gallery, Found Objects.
White Plains, New York, White Plains Public Library, The Museum Gallery, Stories Your Mother Never Told You.
1981
New York, The Queens Museum, The Book: 7 Artists, 7 Visions.
Washington, D.C., Renwick Gallery, National Museum of American Art, Animal Image.
New York, Alternative Museum. Icons, Logos – Word As Image.
Los Angeles, Karlifonien, Craft and Folk Art Museum, The Mas as Metaphor.
Lund, Sverige, Galleriet, Vakna!.
Reading, Pennsylvania, Albright College, Freedman Gallery, Messages.
1980
Richmond, Virginia, Institute of Contemporary Art, The Virginia Museum, Decorative Fabricators.
Yarnamo, Sverige, Gallery Liljan, New York Today.
Miami, Florida, Florida International University, Other Media.
Newark, New Jersey, Newark Public Library, The Book.
1979
Dayton, Ohio, The Dayton Art Institute, Patterns +.
London, England, Victoria and Albert Museum, The Open and Closed Book.
Boulder, Colorado, University of Colorado, Mail Etc., Art.
New York, Arthur A. Houghton, Jr. Gallery, The Copper Union, Bookmakers.
1978
Greensboro, North Carolina, Weatherspoon Art Gallery, University of North Carolina, Art on Paper.
Los Angeles, Karlifonien, Los Angeles Institute of Contemporary Art, Bookworks.
Amsterdam, Holland, Stempelplaats, Bookworks.
Portland, Maine, Westbrook College, The Art of the Printed Book.
1977
Buffalo, New York, Albright-Knox Gallery, Artists Books.
Washington, D.C., Fendrick Gallery, The American Table.
La Jolla, Karlifonien, Mandeville Art Gallery, University of Carlifonia,
San Diego, The Artists’ Book.
GRANTS
2001
Invited Printmaker, Hand Print Workshop, Alexandria, VA
2000
Invited Printmaker, Hand Print Workshop, Alexandria, VA
1997
Invited Printmaker, Tamarind Institute, Albuquerque, New Mexico
1991
Invited Printmaker, Tamarind Institute, Albuquerque, New Mexico
1988
Pollock-Krasner Foundation Grant
1983
Vorhees Grant for Printmaking, Rutgers University, New Jersey
1982
Ariana Foundation For the Arts Grant for Mixed Media
1978
C.A.P.S. Grant for Graphics, New York State Council on the Arts
SELECTED COLLECTIONS
Agnelli Collection, Turin, Italien
Albuquerque Museum, Albuquerque, New Mexico
Bibliotheque Nationale, Paris, Frankrike
Bank of America, San Francisco, Karlifonien.
Bank of Montreal, Chicago, Illinois
Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin
Chase Manhattan Bank, New York
Chemical Bank, Wilmington, Delaware
Art Institute of Chicago, Illinois
Coca-Cola Corporation, Atlanta, Georgia
Delaware Art Museum, Wilmington, Delaware
Federal Reserve Board, Washington, D.C.
General Electric Corporation, New York
Greensville County Museum of Art, Greensville, South Carolina
Kent State University, Kent, Ohio
Harvard University, Cambridge, Massachusetts
Hofstra Museum, Hemstead, New York
3M Corporation, St. Paul, Minnesota
Malmö Museum, Malmö, Sverige
McGill University, Rare Book Library, Montreal, Kanada
Merrill Lynch, Princeton, New Jersey
Morgan Stanley Corporation, Tokyo
Museum of Fine Arts, Racine, Wisconsin
Museum of Modern Art, New York
National Gallery, Canberra, Australien
National Museum of American Art, Washington, D.C.
New York Public Library, New York
North Dakota Museum of Art, Grand Forks, North Dakota
Price Waterhouse Corporation, New York
Princeton University, New Brunswick, New Jersey
Prudential Insurance, Newark, New Jersey
Rutgers University, New Brunswick, New Jersey
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami, Florida
Sol Lewitt Collection, Chester, Conneticut
University of Iowa Museum of Art, Iowa City
University of New Mexico, Albuquerque, New Mexico
Wachmeister Collection, Sverige
SELECTED BIBLIOGRAPHY
”Artists use food as a theme at Katonah Museum of Art.” Antiques & the Arts Weekly, Augusti 15, 2003.
Barton Lidice Beenes, Souvenirs (katalog), Galleri Stefan Andersson, 2002.
Barton Lidice Benes, Curiosa, introduction by John Berendt, Abrams, 2002
“Cremation Sensation.” POZ, December 1996-Januari 1997.
”Theaters of the Absurd.” Art & Antiques, March 1992.
Brier, Bob, The Encyclopedia of Mummys, Facts On File, Inc., 1998.
Brody, Jacqueline. “On and Off the Wall: Barton Benes.” (Intervju) The Print Collectors Newsletter. Jan-Feb 1979, Vol. IX, No. 6.
Cembalest, Robin. “Money Man.” Artnews, November 1998.
Coller, Barbara “Lethal Weapons of Barton Benes.” Artes & Leiloes, #19.
Constantine, Mildred and Laurel Reuter. “Whole Cloth.” The Monacelli Press, 1997.
Cotter, Holland. “Gay Pride (and Anguish) Around the Galleries.” The New York Times, Juni 24.
Cox, Meg. “Barton Benes Shows It Does Take Money to Make Money.” The Wall Street Journal, 6 Augusti, 1984.
“Cut the Ribbons.” The Guardian, 15 Mars, 1996.
De Larminat, Max-Henri. Objectivites en Derive. (Katalog) Centre Georges Pompidou, 1984.
Devon, Marge, Tamarind: Forty Years. University of New Mexico Press, 2000.
Digby, John and Joan, The Collage Handbook, Thames and Hudson, 1985.
Dinoto, Andrea. “Corporal Identity.” American Craft, April/Maj 2004.
Extra Art: A Survey of Artists’ Ephemera, 1960-1999, CCAC, Smart Press, 2001.
Faust, Lily. “Corporal Identity: Body Language.” TheNewYorkArtWorld.com, January 2004.
Flemming, Lee. “Galleries: Sex, Money, Politics.” The Washington Post, 9 Oktober, 1993.
“Food matters at Katonah Museum of Art.” Lewisboro Ledger, 14 Augusti, 2003.
Forbes, Romylly B. “The Art of the Taboo.” A & U January 1998.
Genoccio, Benjamin. “An Exhibit Stocked with More Food than many Parties.” New York Times Westchester County Edition, 31 Augusti, 2003.
Glaubinger, Jane. Paper Now. Katalog från The Cleveland Museum of Art, 1986.
Glueck, Grace. “Celebrating the Flesh: Its Fullness, Its Frailties, Its Forbidden Secrets.” The New York Times, 5 December, 2003.
Glueck, Grace. “Review: Barton Benes.” The New York Times, 4 Mars, 1983.
“Religion Makes an Impact as a Theme in Today’s Art.” The New York Times, 7 April, 1985.
Goley, Mary Anne. Masters of Disguise. The Federal Reserve Board.
Money Making: The Fine Art of Currency at the Millennium. The Federal Reserve Board.
Gouveia, Georgette. “Culinary arts: Area Museums offering much food for thought.” Journal News, Söndag, 24 Augusti, 2003.
Groff, David, The Passion of Barton Benes, Photographed by Nan Goldin, POZ Magazine, Augusti 1999.
Haglund, Elisabet. Barton Lidice Benes Reliquaries. (Katalog) Borås Konstmuseum, 1999.
Hamill, Pete. Tools as Art, Harry Abrams, Inc.
Henry, Gerrit. “Barton Lidice Benes.” Art in America, Juni 1985.
Johnson, Ken. ”Barton Lidice Benes,” The New York Times, 26 Juni, 1999.
“Kampfums Leben.” Spiegel Special, 1998, #7.
Kirby, David. “Artist’s Exhibition on Pain of AIDS is Not Sacred.” The New York Times, 17 Augusti, 1997.
Knight, Sam. ”I Am My Own Curator.” The New York Times, 6 Februari, 2005.
Korotkin, Joyce B. “Barton Lidice Benes.” M-The New York Art World, September 1999.
Lewis, Jo Ann. “Aunt Evelyn’s Letters.” Artnews, Mars 1980.
Lucie-Smith, Edward. American Art Now, William Morrow and Co., Inc. 1985.
MacAdam, Barbara A. “Corporal Identity – Body Language.” ARTnews, April 2004.
McDermott, Stephen W. ”Curiosity Cabinets.” Gay City News, 28 Febrari, 2003.
Moeglin-Delcroix, Anne. Livres d’Artistes. Centre Georges Pompidou, 1985.
Moser, Joann, Dr., A View from Here (Handprint Workshop in Perspective), katalog, 2000.
Pacheco, Patrick, “Lightening Up: Humour as a Weapond Against AIDS.” Los Angeles Times, 21 Augusti, 1993.
“No Stone Unturned.” Arts and Antiques, November 1995.
Plemmons, Chesley. “Edibles, artifice and ego explored in ‘Food Matters’.” The News Times, 24 September, 2003.
Reuter, Laurel. Lethal Weapons. North Dakota Museum of Art, 1993.
Shell, Marc. Art and Money. University of Chicago Press, 1995.
Sliwka, Rose. The Object as Poet. Smithsonian Institute Press, 1977.
Stapp, Duane. “Barton Benes.” Arts Magazine, Juni 1980.
Tastemakers, Barton Benes, Food and Wine Magazine, Juni 2001.
Valdez, Sarah. “Outlaws in Art Land.” Art in America, November 2001.
Walker, Richard. “Inside the Art Market.” Art News, November 1988 (avbildad på omslaget).
Wettre, Håkan. Life and Death. Göteborgs Konstmuseum, 1994.
White, Peter T. The Power of Money. National Geographic, Januari 1993.